When Lostboycrow became comfortable, his soul and voice hypnotized the audience. If he can scrap his vision of electronic dance and forge a path into a softer, dream pop arena, his artistry will become more valuable and his concerts will become increasingly complete.
Odessey” demonstrates that DIY music need not be defined by scrappiness or invested in changing the definition of musical greatness.
Alex Ross ’90 delivered this year’s Louis C. Elson Lecture entitled “Wagner, Hitler, and the Cult of Art” at the John Knowles Paine Concert Hall on Thursday evening.
While Ezra’s unique baritone vocal is his defining feature as an artist, the versatility he displays on “Staying at Tamara’s” proves he has much more to offer.
Objectively, the EP is not bad. There are a few catchy tracks, but it pales in comparison to Tesfaye’s previous work.
Boston is a special place in my heart. We’re finally talking about innovating music technology here in Boston. I want to give the artists here more bookings. We’d love to reinvest back into this town.
It’s never a good sign when you feel like the night was front-loaded coming out of a four-hour lineup.
“Violent Femmes” serves as yet another reminder that cultural touchstones aren’t morally infallible.