The series manages to stand on its own with its skilled cast and gorgeous cinematography, and does a faithful job of unpacking the novel’s complexities while never losing sight of the overarching themes and main characters.
More than 150 years after it was painted, Édouard Manet's "Olympia" continues to astonish viewers with its subject’s challenging gaze and overt sexuality. Yet the question still remains—more than a century and a half later, is it still as provocative as when it debuted?
This production showcases the work of multi-award winning British choreographer Wayne McGregor and Boston Ballet’s Finnish resident choreographer Jorma Elo. McGregor’s beautiful piece features nine male dancers dancing to the haunting music of Finnish composer Esa-Pekka Salonen’s “Lachen Verlernt” and “Nyx.”
The film begins in present-day Mexico, as Towers walks through Aztec ruins to his Médira home. As he cooks himself a sumptuous meal of fresh octopus, he ruminates over his childhood, his college years at Harvard, and his restaurants.
The next morning Malik emerges from the building out of his ridiculously pristine white curtains to observe the damage while coughing profusely after a night of excessive smoking. To counteract this, he lights up once again, surveying his lawn strewn with rubbish.
For those who do not know, “Gossip Girl” managed to convince thousands of teenage girls that Brooklyn is a cheap neighborhood, that headbands should be worn past the age of twelve, that you shouldn’t take drugs (at least not before the SATs), and that the solution to every problem is to spread gossip through anachronistic blog posts about your fellow New York prep-school friends.