Tim Hunter

Moldy Melodramas

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T HE GOOD NEWS IS: the genre melodrama in all its variety is making a comeback in American film. Yes,

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MICHAELANGELO Antonioni's Zabrickie Point, crucified by the nation. I press as the naive product of questionable motives, is not as

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T HE TASK of writing critically about John Ford is made considerably easier now that several battles need no longer

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W E ARE BESET by a crop of western about extremely competent people. In Sam Whiskey, a dreary little film

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P ETER BOGDANOVICH'S Targets, a low-budget oddity of considerable merit, snuck into Boston last week on the bottom half of

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I CE STATION ZEBRA doesn't afford much cause for complaint: its faults are all small and obvious, as are its

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T HERE MAY HAVE been a picture once in Shalako, but it got lost somewhere along the line. Its premise--European

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M OVIES that include quotes from other movies generally run afoul when the excerpted film makes its showcase suffer by

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A MIDST the plastic flora and fauna of Disneyland, a small and inconspicuous pavilion called The Art of Animation offers

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A LTHOUGH no particular reason exists to get upset about I Love You, Alice B. Toklas, a sombre little comedy