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Harvard can, without assuming a holier-than-thou attitude, safely claim a unique place musically among American universities. Not only is there the almost wearingly long catalogue of Boston's musical events to interest it: there are the concerts presented specifically for Harvard, that find an increased audience each year with their return. The University is in the happy position of a clearing-house for two factors necessary in all culture: the willingness of donors to present significant works, and the readiness of a public to receive and appreciate such gifts.

To the latter, this week is doubly remarkable. It is distinguished by the appearance of the Smallman Choir, under the patronage of Mrs. Coolidge, who has often before been the benefactress of Harvard in musical affairs. It is further noteworthy for the announcement that Mr. Arthur Whiting will give a series of concerts of chamber music this winter. Those who have followed in past years the Whiting concerts realize their importance. The men who will be introduced to them this winter will soon understand both the sorrow which met the announcement a year ago that 1928-1929 was to be their final season, and the sincere satisfaction and gratitude with which Mr. Whiting is rewelcomed this year--as Harvard hopes, not for the last time.

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