The Cambridge City Council passed a resolution Monday calling on Harvard to remove Arthur M. Sackler’s name from its museum. Cambridge Mayor Marc C. McGovern proposed the resolution, which was passed unanimously by the council.
More than 30 students, faculty, and members of the public gathered at Harvard’s Arthur M. Sackler Museum Friday to commemorate a new art installation honoring those affected by the opioid epidemic.
Dozens of activists protested outside of Harvard’s Arthur M. Sackler Museum on Friday, urging the University to remove the late medicine marketer’s name from campus and refuse future donations from the Sackler family.
The mothers’ efforts to pressure the University come at a time when other prestigious institutions that have received donations from the Sacklers are grappling with similar entreaties from activists.
Local activists and at least one public official are calling on Harvard to remove the Sackler family’s name from their buildings after a memorandum filed in federal court Tuesday alleged the family knowingly understated the risks of its company’s addictive opioid product.
On Nov. 14, the Harvard Art Museums welcomed contemporary artist Cameron Rowland to discuss some of the thoughts and history behind his work. Rowland is an American artist from Philadelphia currently living and working in Queens, New York. Rowland is known for his conceptual art, and given his use of found and readymade objects, some have come to consider him the 21st century version of the infamous artist Marcel Duchamp.
“Common Threads: Weaving Stories Across Time,” which runs through Jan. 13 at the Isabella Stewart Gardner Museum, features a diverse collection of textile-inspired artworks of different mediums, created by contemporary artists from around the world. The exhibit strives to “explore the ways in which the art of the past continues to inspire artists now” and executes this goal perfectly. Each piece is distinctive from the others, and ties together both old and new elements of textile art in a novel way.
Even for non-contemporary art enthusiasts, this exhibit is a must-see. Though the exhibit itself is not large, it leaves a powerful impression on the viewer that will last well beyond the walls of the museum. “Common Threads: Weaving Stories Across Time” truly lives up to its name, beautifully demonstrating how art can break barriers and connect people across time and across cultures.
Students, faculty, and researchers from Harvard and elsewhere gathered Thursday at the Harvard Art Museums for the 2018 Humanitarian Action Summit's talks.
It’s loud, exciting, and stimulating, and this emphasis on interplay — and play itself — is no accident. Wall text abounds with descriptions of collaboration between the Milne-Shepard families, as well as the subtlety of “Winnie-the-Pooh’s” educational agenda.
Located in Boston’s Museum of Fine Arts, the exhibit “The Art of Influence: Propaganda Postcards from the Era of World Wars” transports viewers back to this time and invites them to perceive the energy, diversity, and gravity of this brusque, now-primitive form of media.