Liana E. Chow
Only by subverting conventional understandings of history, which often omit the lived realities of people of color, can we come to a new understanding of the world, which can only happen at Harvard if the search committee hires the right faculty.
The session included a world-building exercise, reflections on the writing process, a reading of a Lucille Clifton poem, and a group of student writers gathered together to participate.
The floors of the Dunster House dining hall trembled Wednesday evening as more than 140 musicians from within and beyond Harvard participated in the 47th annual Dunster House Messiah Sing.
“Crazy Rich Asians,” “Fresh Off the Boat,” and “To All The Boys I Used to Love,” or whatever it’s called, never stood a chance.
When painter Susan E. Miller-Havens opened the first ever artist-operated gallery in Harvard Square earlier this fall, the development and rising rents of the Square had long been on her mind. Miller-Havens, who has two works displayed in the Smithsonian National Portrait Gallery, has lived in Cambridge since 1968. Two years ago, she came face to face with a redevelopment project that made her plans for the near future inextricable from the state of the Square. Strolling among dozens of her paintings arranged salon-style at 9 JFK Street, Miller-Havens spoke to The Harvard Crimson about her gallery’s role in the Square and the challenges of her profession.
Harvard is renovating its Schlesinger Library at the Radcliffe Institute in an effort to drive increased engagement with the library's extensive collection of documents vital to the history of women in America.
I was painfully aware of how much I didn’t fit in at Garbage’s Oct. 23 House of Blues concert. The tour celebrated the 20th birthday of their sophomore album, “Version 2.0.” I had just turned 19.
Cruz, who garnered national attention for her criticisms of the Trump administration's response in the wake of Hurricane Maria in 2017, is the first Latina woman to receive this public service honor.
To complicate the situation even more, the trailer reveals that Nagini's human form is South Korean actress Claudia Kim dressed as a reptilian cabaret goth.