Crimson staff writer

Kalos K. Chu

Latest Content

‘Five Feet Apart’ still

‘Five Feet Apart’ is a Feel-Good Tear-Jerker, and Unsurprisingly So

For the most part, “Five Feet Apart” checks off all the boxes: Expect to chuckle liberally, cringe occasionally, and cry inevitably (although not quite when one would expect).

How To Train Your Dragon 3 Still

Unpopular Opinion: ‘How to Train Your Dragon: The Hidden World’ Is Pretty (Boring)

Disney, and others, have raised the bar. DreamWorks needs to keep up.

Penn Badgley and Elizabeth Lail in "You"

‘You’: a Sinister Evolution of the Romance Drama

“You" takes the cultural trope of boy-meets-girl and successfully turns it on its head by revealing the dangerous underlying obsession behind a contrived relationship.

"Hamilton" cast members at the White House.
Arts Blog

Five Show Tunes to Get You Through Finals

I present five songs to get you through finals — show tunes edition.

Kaddish Poster

‘Kaddish’ Illuminates a Poetic Masterpiece

A new, original adaptation of Ginsberg’s poem “Kaddish for Naomi Ginsberg” will premiere at the Loeb Ex thanks to the cast of HRDC this Dec. 1.

Mr. Burns Preview Image

‘Mr. Burns: A Post-Electric Play’ Brings the Contemporary Political Climate to Stage

Anne Washburn’s “Mr. Burns, a Post-Electric Play” is a charged show. It’s a part-comedy and part post-apocalyptic social commentary in which survivors work first to piece together an episode of “The Simpsons,” then to form a theater company that reenacts those scenes exclusively.

The Good Place Season 3

‘The Good Place’: ‘Everything is Bonzer!’ is a Push in the Right Direction

As in Season One, we are treated to the show’s signature brand of humor, one that’s grounded in and dependent upon its characters.

The Queen of Sheba

‘La Reine de Saba’ : The Tale of a Feminist

“La Reine de Saba,” a grand five act opera composed by Charles Gounod in 1862, reentered the stage for its American premiere on Sept. 22 at the New England Conservatory’s Jordan Hall. This tale of love, betrayal, and envy is being revived by the toils of the Odyssey Opera’s music director, Gil Rose.