Clara V. Nguyen
With the year of “Danger Days” finally upon us, the anniversary of its release invites comparison between its reality and ours.
In a drastic shift from the minimalist guitar ballads that propelled her into the public eye, Olsen’s latest work relies on lush orchestration and electronic effects to immerse listeners in a dreamy, futuristic haze.
Last week, a bright yellow shipping container set up shop alongside Harvard's food trucks. But instead of holding cargo, the structure brought classical music to the Science Center Plaza.