News

Progressive Labor Party Organizes Solidarity March With Harvard Yard Encampment

News

Encampment Protesters Briefly Raise 3 Palestinian Flags Over Harvard Yard

News

Mayor Wu Cancels Harvard Event After Affinity Groups Withdraw Over Emerson Encampment Police Response

News

Harvard Yard To Remain Indefinitely Closed Amid Encampment

News

HUPD Chief Says Harvard Yard Encampment is Peaceful, Defends Students’ Right to Protest

Stereolab

By Dan Visel

Stereolab

Cobra and Phases Group Play Voltage in the Milky Night

Elektra

Across at least six proper albums and numerous other releases, Stereolab has proven itself to be one of the major indie rock forces of the '90s. Originally written off as a left-leaning Neu! clone with lounge inclinations, the band has consistently managed to reinvent itself. Its latest, Cobra and Phases Group Play Voltage in the Milky Night, ranks with their best work, 1993's Transient Random-Noise Burst with Announcements. On this trip out, Chicago-based producers John McEntire and Jim O'Rourke provide Stereolab with a rich, layered sound, leaving behind the cold Cologne sound of 1997's Dots and Loops. Cobra and Phases Groups is the band's longest album, clocking in over 75 minutes. But this never becomes a strain, and the songs distinguish themselves nicely. Gone is the drone that was the band's early trademark; instead, they've gone for more orthodox song structures. Lovely string flourishes garnish "Puncture in the Radar," while lead singer Laetitia Sadier and Mary Hansen harmonize beautifully.

Beneath the pop trappings, Stereolab remains Stereolab. The band's Marxist ideology (with a strongly feminist bent) still reveals itself in Sadier's lyrics. The poppy sounds offset the lyrics nicely: it's Marxism to fall in love to. A

Want to keep up with breaking news? Subscribe to our email newsletter.

Tags