Arts Front Feature
The Harvard Crimson ranks the best movies, TV shows, albums, and books of the year, while writing some not-exactly-serious vanities.
At Harvard, technical directors are few and far between. They build the sets for the dozens of plays produced on campus, often taking on long hours in the shop. While the work can be time-consuming, there are reasons for staying, and perhaps, changes to come.
Neuroaesthetics, an innovative but controversial new area of neuroscience research, has the potential to help us understand the ways our brain responds to art. But some remain skeptical of how much science can really tell us about aesthetic experiences. The Crimson surveys the state of the field on campus and beyond.
From undergraduate House renewal to ambitious plans for the new Allston campus, Harvard is in a period of profound architectural transition. Crimson Arts takes a look at the history of Harvard's built environment and the possibilities for its future growth.
The Harvard Crimson sends its writer— Ethan B. Reichsman '18 —to the French Riviera to cover the Cannes Film Festival.
In this, our second annual themed supplement, The Crimson's Arts Board focuses on the intersections between art and politics. We survey this contested and contentious landscape by talking to artists, critics, writers, politicians, and economists on campus and beyond.
Boston's contemporary art scene is often perceived as a backwater, simply a little sister to New York's. Yet the city has a cultural ecology all its own, one that benefits from a concentration of universities and a strong sense of local community, but that may now be threatened by rising costs of living. The Crimson takes an in-depth look at the area's artistic environment.
As curators, students, and professors rethink the ways in which Harvard's collections are divided, new debates, new questions, and new philosophies of display have come to the fore at the University's museums of art, science, and culture.